Something fun to start the week...
Just because one can do a thing, does not necessarily mean that they should do a thing.
My research interests are centered broadly on race and popular culture. In fact, one of my main questions involves race and representation in mass media, and how those narratives both legitimate and reinforce racial ideologies and "common sense," as well as tell us something more broadly about hierarchies of power in American society.
Given those interests, I have concluded that Tyler Perry's body of work constitutes one of the most pernicious, befouled, racist, and "ugly" depictions of black humanity that I have ever seen. As such, his "art" and role in the black culture industry is more than deserving of study.
Those qualifiers noted; proceeding from the love principle; and giving respect to folks that are working on this proposed project, I do have to wonder about how we explain our efforts at knowledge generation to those outside of our small world--assuming that we ought to feel obligated to (which is an unsettled question).
In addition, this dilemma is a nice segue back to the controversy over at The Chronicle of Higher Education a few weeks back regarding a vicious and ill founded editorial about Black Studies and the quality of the dissertations written in that field.
Dr. Michio Kaku, theoretical physicist and one of my favorite ghetto nerd man crushes, has a great story about how scientists are often incapable of communicating with the general public about the importance of their work. There, he explains how one of his colleagues was unable to explain to a government committee why Congress should fund a particle collider that would have been revolutionary in the capabilities it would have granted the scientific community.
During the hearings one of the representatives begged for a story, some excuse to give this researcher and his team the money for the project. Sadly, the scientist was unable to offer up a pitch that went beyond techno-babble. Predictably, the funding was denied. Dr. Kaku had a great suggestion: all his colleague had to say was that this machine would enable humanity to understand the mind of God as we took one more step closer to deciphering the most basic secrets of the universe.
Don't be mistaken. A collection of essays on the coonery and buffoonery of Tyler Perry is not going to help us understand such profound matters. This collection is also privately funded and subject to the free market (and how a niche audience will choose to embrace such a book or not). But, to those in academia, writers, and others who work in narrow disciplines, how do we "sell" our work to outsiders?
Ultimately, is how we approach such matters the difference between "specific" and "universal/general" intellectuals? Which of the roles should we strive to fulfill?
Here is the call for submissions. Perhaps one of you will forward a proposal.
During the hearings one of the representatives begged for a story, some excuse to give this researcher and his team the money for the project. Sadly, the scientist was unable to offer up a pitch that went beyond techno-babble. Predictably, the funding was denied. Dr. Kaku had a great suggestion: all his colleague had to say was that this machine would enable humanity to understand the mind of God as we took one more step closer to deciphering the most basic secrets of the universe.
Don't be mistaken. A collection of essays on the coonery and buffoonery of Tyler Perry is not going to help us understand such profound matters. This collection is also privately funded and subject to the free market (and how a niche audience will choose to embrace such a book or not). But, to those in academia, writers, and others who work in narrow disciplines, how do we "sell" our work to outsiders?
Ultimately, is how we approach such matters the difference between "specific" and "universal/general" intellectuals? Which of the roles should we strive to fulfill?
Here is the call for submissions. Perhaps one of you will forward a proposal.
****
CFP--Essays on Tyler Perry; Abstracts 6/15/2012 and Essays 11/1/2012
full name / name of organization:
Critical Perspectives on Tyler Perry--Book Collection
contact email:
tperryanthology@gmail.com
Call for Papers
Critical Perspectives on Tyler Perry
An Edited Book Collection
Due Dates: 6/15/2012 (abstracts); 11/1/2012 (full essays)
Critical Perspectives on Tyler Perry
An Edited Book Collection
Due Dates: 6/15/2012 (abstracts); 11/1/2012 (full essays)
For over a decade now Tyler Perry has entertained popular audiences with live, televised, and filmed performances of signature characters, including his most recognizable character, Madea. While some of his films have sparked public controversies about aesthetics, race, and respectability (or what some have described as the retrogressive and embarrassing nature of his work), Perry’s influence in contemporary media culture is undeniable. For instance, prior to his film career, Perry success on stage (ticket sales, video recordings of the plays, and merchandising) provided him with an estimated $150 million dollars a year. Not only has Perry has directed, produced, or starred in at least one film a year, his role in the television industry is increasing at a comparable rate. He is reportedly working to launch his own network, Tyler TV. Perry is at the center of aggressive media empire and production studio that has released over twenty commercially successful films and videos about parenting, marriage, morality, incest, domestic violence, and trauma in black families.
In light of these facts and the limited critical attention attributed to Perry, we are editing an anthology to examine his role in contemporary media culture. The essays in this edited collection will explore his work from a variety of critical and industrial perspectives by examining his self-presentation and public image as well as the films, television shows, theater performances, reception history, and academic and popular critiques and debates about his work.
Suggested essay topics can include (but are not limited to):
Christianity and Perry's films
Perry and trauma
The Madea films and the cinematic history of black men in drag
Oprah Winfrey and Perry
Television networks and Perry
The television shows (Meet the Browns, House of Payne, etc.)
Perry and "Black Aesthetics"
Perry and genre
The Boondocks “Pause” episode
Black Femininity/Masculinity
Perry’s stage career
Perry’s films and conventions of melodrama
For Colored Girls (2010)
Perry and trauma
The Madea films and the cinematic history of black men in drag
Oprah Winfrey and Perry
Television networks and Perry
The television shows (Meet the Browns, House of Payne, etc.)
Perry and "Black Aesthetics"
Perry and genre
The Boondocks “Pause” episode
Black Femininity/Masculinity
Perry’s stage career
Perry’s films and conventions of melodrama
For Colored Girls (2010)
Please submit abstracts (500 words maximum) along with an academic bio and contact details to tperryanthology@gmail.com by June 15, 2012. Final papers will be 6000-7000 words and should be submitted no later than November 1, 2012. Please address any questions to Karen Bowdre, TreaAndrea Russworm, and Samantha Sheppard to the e-mail listed above.









