I have been at C2E2 here in Chicago and the con has been great fun. I did some networking and made some progress on the graphic novel which I have been trying to develop. As always, there are lots of great people here. The brother dressed up as Sho'nuff from The Last Dragon was a highlight and most certainly one of the most creative cosplayers here--got to give love to the ghetto nerds.
I also met Herbert Jefferson Jr., the original Boomer on the classic 1970s era Battlestar Galactica. I shook his hand and offered up a hearty thanks for what his role meant to many black and brown folks who were searching for people of color in the white racial frame of popular science fiction and space fantasy during the 1970s. Val Kilmer was also a magnetic and fun speaker.
After coming back from C2E2, I happened to discover the above interview with the newly appointed head of the Schomburg museum in New York and thought it appropriate to share with you all.
Khalil Gibran Muhammad's interview about his book The Condemnation of Blackness is a great follow-up to our conversation about W.E.B. Du Bois, black thuggery, and the politics of African American respectability. I have borrowed a few of Dr. Muhammad's ideas in previous posts--I am especially taken by his suggestion that African Americans have historically been treated as adults for purposes of criminalization and punishment, but are viewed as children in regards to citizenship. Consequently, I wanted to give him the shine he more than deserves.
Muhammad's assertions about the intellectual work done by sociologists (and others) to decriminalize white ethnics during the early 20th century (and to ensure that their deviant classes were viewed as individuals--as opposed to representative actors of a whole "race") is also very telling. Blackness as a necessary group identity, and whiteness as absolute individuality, is still with us in the year 2012: this is a governing meta-narrative for the discourse surrounding the murder of Trayvon Martin by George Zimmerman.
Ultimately, when scientists, political elites, and intellectuals conspire to create new truths they generate new regimes of knowledge and "common sense."
After coming back from C2E2, I happened to discover the above interview with the newly appointed head of the Schomburg museum in New York and thought it appropriate to share with you all.
Khalil Gibran Muhammad's interview about his book The Condemnation of Blackness is a great follow-up to our conversation about W.E.B. Du Bois, black thuggery, and the politics of African American respectability. I have borrowed a few of Dr. Muhammad's ideas in previous posts--I am especially taken by his suggestion that African Americans have historically been treated as adults for purposes of criminalization and punishment, but are viewed as children in regards to citizenship. Consequently, I wanted to give him the shine he more than deserves.
Muhammad's assertions about the intellectual work done by sociologists (and others) to decriminalize white ethnics during the early 20th century (and to ensure that their deviant classes were viewed as individuals--as opposed to representative actors of a whole "race") is also very telling. Blackness as a necessary group identity, and whiteness as absolute individuality, is still with us in the year 2012: this is a governing meta-narrative for the discourse surrounding the murder of Trayvon Martin by George Zimmerman.
Ultimately, when scientists, political elites, and intellectuals conspire to create new truths they generate new regimes of knowledge and "common sense."
Here is a thought for you: imagine if in the same moment that the knowledge workers who struggled to make sure that white ethnics could become massaged into the American tradition through "assimilation" also chose to include black Americans in the mix. What would our society and public life look like in the present? Would people of color be more or less free?
Yes, citizenship and blackness are intentionally constructed as juxtapositions to one another. But, we can still entertain the counter-factual of what could have been.
Yes, citizenship and blackness are intentionally constructed as juxtapositions to one another. But, we can still entertain the counter-factual of what could have been.

